{
    "componentChunkName": "component---src-templates-post-js",
    "path": "/literature/poetry/issue-2-franco-da-rocha/",
    "result": {"data":{"post":{"id":"cG9zdDoyMTc3","excerpt":"<p>I’ve never left that street named Winter,<br />\nwhere next-doors shared baked corn</p>\n","content":"\n\n\n<p><em>I’m the absence of that town&#8217; – Polina Cosgrave</em></p>\n\n\n\n<p>I’ve never left that town<br>home of Latin America’s largest hospice<br>where the military first wrecked,<br>then abandoned so many youths.</p>\n\n\n\n<p>I’ve never left that neighbourhood called Hills<br>immersed in an evergreen forest of Eucalyptus<br>under which every boy experienced sexuality.</p>\n\n\n\n<p>I’ve never left that street named Winter,<br>where next-doors shared baked corn<br>and drank coffee like they were afraid<br>of nightmares during stormy nights.</p>\n\n\n\n<p>I’ve never left that house numbered 283<br>where the <em>Plinia Caulifora</em> is yet to be harvested,<br>and the electric installation is an unsolvable puzzle.</p>\n\n\n\n<p>I’ve never left any of these places,<br>and, in the morning, before opening my eyes,<br>I still hear the woodpecker carving out wood.</p>\n\n\n\n<p class=\"has-text-align-center\"><em><strong>Rafael Mendes is the winner of the (un)belonging Best Poetry Prize.</strong></em></p>\n\n\n<div class=\"wp-block-lazyblock-author-bio lazyblock-author-bio-t04Fn\"><section class=\"author-bio-card\">\n  <section class=\"top-section\">\n    <div class=\"lh-bio-pic\">\n      <div class=\"bio-square-yellow\"></div>\n      <div class=\"bio-square-green\"></div>\n      <div class=\"bio-square-gray\"></div>\n\n        <picture class=\"lazy-image bio-logo\">\n          <img loading=\"lazy\" src=\"https://wp.roryo.co/wp-content/uploads/2020/12/Bdark.png\" alt=\"Bealtaine logo\">\n        </picture>\n    </div>\n    <div class=\"rh-info\">\n        <h3>Rafael Mendes</h3>\n      <div class=\"social-wrap\">\n        <svg xmlns=\"http://www.w3.org/2000/svg\" width=\"20\" height=\"20\" viewBox=\"0 0 24 24\" fill=\"none\" stroke=\"#f3b61d\" stroke-width=\"2\" stroke-linecap=\"round\" stroke-linejoin=\"round\" class=\"feather feather-instagram\"><rect x=\"2\" y=\"2\" width=\"20\" height=\"20\" rx=\"5\" ry=\"5\"></rect><path d=\"M16 11.37A4 4 0 1 1 12.63 8 4 4 0 0 1 16 11.37z\"></path><line x1=\"17.5\" y1=\"6.5\" x2=\"17.51\" y2=\"6.5\"></line></svg>\n        <a href=\"https://www.instagram.com/rafaelmendes341/\">@rafaelmendes341</a>\n      </div>\n    </div>\n  </section>\n    <section class=\"bio-wrap\">\n      <p>Rafael Mendes is a writer and translator from Brazil based in Dublin. His work has appeared in <em>Writing Home: The New Irish Poets </em>and <em>Arrival at Elsewhere.</em> He’s a 2021 recipient of The Irish Writers Centre Course Bursary and is a candidate for a master’s in Comparative Literature at Trinity College Dublin. Follow him on Instagram @rafaelmendes341.</p>\n      <svg xmlns=\"http://www.w3.org/2000/svg\" version=\"1.1\" xmlns:xlink=\"http://www.w3.org/1999/xlink\" xmlns:svgjs=\"http://svgjs.com/svgjs\" width=\"1532\" height=\"65\" preserveAspectRatio=\"none\" viewBox=\"0 0 1532 65\">\n    <g mask=\"url(&quot;#SvgjsMask1156&quot;)\" fill=\"none\">\n        <path d=\"M 0,60 C 61.4,53.8 184.2,32.2 307,29 C 429.8,25.8 491.2,46.8 614,44 C 736.8,41.2 798.2,13.4 921,15 C 1043.8,16.6 1105.8,54.4 1228,52 C 1350.2,49.6 1471.2,12.8 1532,3L1532 65L0 65z\" fill=\"rgba(255, 222, 89, 0.6)\"></path>\n    </g>\n    <defs>\n        <mask id=\"SvgjsMask1156\">\n            <rect width=\"1532\" height=\"65\" fill=\"#ffffff\"></rect>\n        </mask>\n    </defs>\n</svg>\n    </section>\n</section></div>","title":"Franco da Rocha","date":"April 04, 2022","issue_number":{"issueNumber":"Issue 2"},"featuredImage":null},"previous":{"uri":"/literature/poetry/issue-2-the-wren/","title":"The Wren"},"next":{"uri":"/literature/poetry/issue-2-here/","title":"Here"}},"pageContext":{"id":"cG9zdDoyMTc3","previousPostId":"cG9zdDoyMTc4","nextPostId":"cG9zdDoyMTY4"}},
    "staticQueryHashes": ["3240029854","848497233"]}